2008

March

• Conference Reports

2005

December

• Articles

• Resources

• UK Dramaturgs

• Dramaturgy

• About the network

• Welcome to the dramaturgs’network

• Navigate this site

• The dramaturgs’network Newsletter

2010

August

• Conference on Dance Dramaturgy, Toronto- calls for papers

2009

August

• AGM 2009 19th September, London

2006

January

• NEW WRITING: HOW DO WE DEVELOP NEW PLAYS?

• A DIRECTOR’S DIAGNOSIS

• A DRAMATURG’S DEDUCTION

• A PLAYWRIGHTS’S PERSPECTIVE

• Autumn-Winter 2005

• Spring 2005

• Winter 2005

• Autumn 2004

• Summer 2004

• Spring 2004

• Spring 2003

• Summer 2002

• Spring 2002

2005

December

• Links

• Director’s Toolkit

• Our Aims

• Contact us

• Books on dramaturgy and the dramaturg

• The dramaturg in British theatre

• The Dramaturgs’ Network Inaugural Symposium

• Looking and listening with knowledge

• Exploring the text

• TABSLABS

• The dramaturg past and present

• Dramaturgies, the Writer, the Audience; A panel session at Writers Expo

• Reporting from the In-Yer-Face conference

• Interview with Duska Radosavljevic

• Work in Progress Dramaturgy Festival at Newcastle Playhouse

• The practice of a dramaturg in Germany

• Structures in devising

• Dramaturgy in Scotland

• Playgrounding A New Writing Scheme by the Polka Theatre

• Building a Rough House

• o, dramaturgy!

• Who’s afraid of … the dramaturg?

• Two forms of collaboration and complicity in total theatre and playing Beckett

• On Getting People to Engage A few thoughts on festival dramaturgy

• Contracts for dramaturgs

• Become a member

• What a dramaturg can do (compiled by the Dramaturgs’ Network)

• What does a dramaturg do? (LMDA’s definition)

• Dramaturgy Courses in the UK

• Fees for Dramaturgy Services

• What is dramaturgy? (LMDA’s definition)

• Find a dramaturg

• Anne Hamilton, Hamilton Dramaturgy, New York City, NY USA

• David Lane: London and South-East primarily and South-West

• the Network

<< Back to main